Paul Rand

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Brooklyn, New York
Birth Sign
Brooklyn, New York

Paul Rand was solely responsible for infusing company logos with style, grace, and panache. One of the best graphic designers of all time, he revolutionized the business with his straightforward yet original design and modernity. Not only did he alter the direction of design, but also elevated the profession, which had previously been unrecognized. Additionally, he rehabilitated the reputations of other designers, transitioning them from commercial artists to graphic designers. A characteristic that Rand and his work shared was his emphasis on simplicity and minimalism. Furthermore, he possessed the capacity to convert ordinary images into exciting compositions. He produced numerous posters and corporate identities over his career, including the IBM, UPS, and ABC logos, the most of which are still in use today. In 1972, he was elected into the New York Art Directors Club Hall of Fame for his work as a graphic designer.

Childhood & Adolescence

Paul Rand was born in Brooklyn, New York, as Peretz Rosenbaum.
As a brilliant child, he was drawn to painting and other types of art at an early age. He began his career by painting signs for his father’s grocery shop and school functions.

It was natural for his father not to view art as the sole source of income. As such, he insisted that young Rosenbaum attend Harren High School in Manhattan.
He continued to pursue his passion for painting by enrolling in night programs at the Pratt Institute and numerous other institutions, including Parsons School of Design and the Art Students League.

Despite completing painting school, his appreciation and execution of art were largely self-taught. Much of what he learned was influenced by Cassandre and Moholy-works. Nagy’s

Paul Rand’s Career

His first foray into the field of art was as a part-time employee of a syndicate that supplied graphics to numerous periodicals and newspapers. His resume included work as a stock photographer.
While juggling employment and academic responsibilities, he accumulated a sizable portfolio influenced by German advertising style and Gustav Jensen’s works.

He desired to shed his strong Jewish identification and hence changed his given name and surname. Peretz was renamed Paul, and Rosenbaum was renamed, Rand. The new name sounded more American, which aided him in his endeavors.

The new name and identity worked well for him, as he quickly gained recognition and attention. By his early twenties, he had garnered international fame and established himself as one of the most sought-after art directors in his field.

Intriguingly, his ideas for the cover of Direction magazine caused a stir because he charged no compensation in exchange for complete artistic freedom. The designs received high praise for their unique patterning and detailed craftsmanship. Additionally, they provided the groundwork for the ‘Paul Rand look.’

In 1936, he was offered the opportunity to work on the page layout for an anniversary issue of Apparel Arts magazine. He gained an appreciation for the value of European art and design during this time. He even discovered that in visual communications, lines, shapes, and colors turned into message-conveying signs and symbols.

Due to his talent to transform mundane photographs into exciting compositions, he was hired as an art director for the Esquire-Coronet magazines on a full-time basis. Though he first declined the offer, believing he was ineligible for the position, he accepted it a year later. As so, he was responsible for the fashion pages of Esquire at the youthful age of 23.

In 1941, he joined the William H. Weintraub advertising agency as art director, where he partnered with copywriter Bill Bernbach. He remained employed there till 1954.

His technique entailed blending text and images, as well as words and images, in order to create an effective and compelling message. While the majority of his advertising designs were inventive, one, in particular, deserves mention: Orbach’s department store. Similarly, he used a novel approach to advertisement copywriting and design.

What distinguished his work from the rest was his incorporation of motifs typically associated with high art design into his graphic art. This enabled him to bridge the divide between graphic artists and Europe’s modernist giants.

In 1947, he created a poster for the New York Subways Advertising Company in which he used brilliant colors to arrange dots and concentric circles. Not only did the poster serve as an illustration, but it also appeared to viewers as a dynamic composition.

Throughout his lengthy career, he was most notable for designing the logos and corporate identities of several multinational corporations, including IBM, ABC, Cummins Engine, UPS, and Enron. Interestingly, several of them are still in use today.

He established IBM’s corporate identity in 1956 by developing the company’s logo, which he changed four years later in 1960. In 1972, he designed the striped logo, which featured an eight-stripe version and a thirteen-stripe version. He even developed IBM’s packaging, marketing, and various forms of communication.

In 1956, he joined the Yale University faculty, and his ideas had a profound effect on numerous generations of American designers. He published numerous books on graphic design, including ‘Thoughts on Design,’ ‘A Designer’s Art,’ ‘Design,’ ‘Form,’ ‘Chaos,’ and ‘From Lascaux to Brooklyn.’

In 1960, he invented the Westinghouse brand, which redefined the value of succinct communication. The basic design accentuated the argument made by the company.
His most noteworthy subsequent work was for Steve Jobs on the corporate identity for NeXt Computer. To maintain the ‘Paul Rand aesthetic,’ the design kept the corporate name simple by dividing it into two lines that created visual harmony.

Awards and Accomplishments

In 1972, he was admitted into the Hall of Fame of the New York Art Directors Club.

Personal History and Legacies

He died of cancer in Norwalk, Connecticut, in 1996. He was 82 years old when he died. He is laid to rest in Beth El Cemetery.

Estimated Net worth

Rand Paul is a physician and Republican politician serving as Kentucky’s junior senator. Rand Paul has a net worth of $1.5 million, according to his most recent financial statement.


He was one of the first commercial artists in the United States to embrace and develop Swiss Style graphic design. He created the corporate logos for IBM, ABC, and UPS, most of which are still in use today.